From the field observations, it could be concluded that though there are anomalies, many people come to Kino in a sort of uniform. That uniform has been illustrated in 'The Kino Everyperson' and 'The Kino Elder.'

Many parts of the attire belong to quite pricey brands, such as high quality raincoats and Susan Bijl shopping bags. Not to mention the high volume of leather shoes (instead of sneakers for example).

Kino tickets aren't that expensive, and many visitors are Cineville pass holders who basically watch films for free if they visit often enough. You would think that this would attract more people from all socio-economic classes, but the brands donned by the visitors suggest otherwise.
An illustration of one of Honey's field observation days, where actually counting white versus nonwhite bodies showed the racial gap in the space.
(Refer to the film programs, in which the one on this date was identical to the one on the 14th. This might reflect why the crowd was almost 95% white.)